This November, Rivendell Theatre Ensemble will present excerpts from Paul Michael Thomson and Quenna Lené Barrett’s nascent play Bobby & Lorraine, or Something Left to Love as part of Fresh Produce 2025. Paul Michael & Quenna have been friends and collaborators for years, and they are so excited to begin the devising process for this work. Using archival research and experimental devising as a starting ground, Bobby & Lorraine will explore the courtship, collaboration, and complicated legacy of Lorraine Hansberry—one of the greatest writers to ever grace the Broadway stage—and her (sometimes) romantic and (always) artistic partner, Robert Nemiroff. You can read more about the project here!

In February 2026, Paul Michael’s play Pot Girls will have its word premiere production at his artistic home, The Story Theatre. Directed by his fellow Governing Ensemble member (and best friend) Ayanna Bri Bakari, this riff on Caryl Churchill’s Top Girls asks what role writing plays in the revolution and the ethics of activism as aesthetic. What’s more, Raven Theatre will be producing Churchill’s masterful Top Girls in rep with Pot Girls, creating a collaborative conversation between the two plays and our two companies! (I mean, come on, that’s sickening.)

Recently, Paul Michael made his New York City acting debut in an industry presentation of At the Wake of a Dead Drag Queen by Terry Guest. The presentation was sensational, so be on the lookout for a production soon! It really is the concrete jungle where dreams are made of…

Paul Michael and fellow Governing Ensemble member Terry Guest recently got to accept the Emerging Theatre Award from Broadway in Chicago & the League of Chicago Theatres for their work at The Story Theatre. The best part was being chosen by all of the other member theatres to win this award! The second best part was the open bar.

Paul Michael will be presenting his paper “Revolting Queers: (Homo)sexuality Onstage in the Black Arts Movement” at African-American History Seminar through the Massachusetts Historical Society on January 8. He is thrilled to return to Massachusetts to present on his forthcoming dissertation. (Forthcoming being the key word.)

For his recent performance as Vickie Versailles in the sold-out, thrice-extended run of At the Wake of a Dead Drag Queen by Terry Guest at The Story Theatre, Paul Michael received the following write-up that just had to go somewhere on this website: “The phenomenal Paul Michael Thomson […] is credible at every single moment. As vulnerable as he is forceful, this actor inhabits a wounded character who is unafraid to deviate from the drag queen cultural gospel, not all of which he even knows. Truly, Thomson’s work as the second banana in this show is one of the best pieces of acting I’ve seen this year in Chicago” (Chris Jones, Chicago Tribune). We’ll take it, girls. Girls? We’ll take it.

The Story Theatre Governing Ensemble (2025)

The Talented Homosexuals Award—I mean, Emerging Theatre Award